Saturday, May 22, 2021

The Albatross

 
Often, to amuse themselves, the men of a crew
Catch albatrosses, those vast sea birds
That indolently follow a ship
As it glides over the deep, briny sea.

Scarcely have they placed them on the deck
Than these kings of the sky, clumsy, ashamed,
Pathetically let their great white wings
Drag beside them like oars.

That winged voyager, how weak and gauche he is,
So beautiful before, now comic and ugly!
One man worries his beak with a stubby clay pipe;
Another limps, mimics the cripple who once flew!

The poet resembles this prince of cloud and sky
Who frequents the tempest and laughs at the bowman;
When exiled on the earth, the butt of hoots and jeers,
His giant wings prevent him from walking.
- Charles Baudelaire, "The Albatross"

---
When I know you are coming home
I put on this necklace:
glass beads on a silken thread,
a blue that used to match my eyes.
I like to think I am remembering you.
I like to think you don’t forget.

The necklace lies heavy on my skin,
it clatters when I reach down
to lift my screaming child.
I swing her, roll her in my arms until she forgets.
The beads glitter in the flicker of a TV set
as I sit her on my lap
and wish away the afternoon.

I wait until I hear a gate latch lift
the turn of key in lock.
I sit amongst toys and unwashed clothes,
I sit and she fingers the beads until you speak
in a voice that no longer seems familiar, only strange.
I turn as our child tugs at the string.
I hear a snap and a sound like falling rain.

Kate Bass, "The Albatross" 

Monday, May 17, 2021

Lobster Appetizers


A shoe with legs,
a stone dropped from heaven,
he does his mournful work alone,
he is the old prospector for golf,
with secret dreams of God-heads and fish heads.
Until suddenly a cradle fastens round him
and his is trapped as the U.S.A. sleeps.
Somewhere far off a woman lights a cigarette;
somewhere far off a car goes over a bridge;
somewhere far off a bank is held up.
This is the world the lobster knows not of.
He is the old hunting dog of the sea
who in the morning will rise from it
and be undrowned
and they will take his perfect green body

and paint it red
Anne Sexton, "Lobster"

Friday, May 14, 2021

Courtly Love...

Desire doesn't always need to lead to madness...

Saturday, May 8, 2021

Dali - Against Music...

Music lasts but the moment...architecture, "forever".  Nobody listen's to music in order to "get to the end".  

Liebstod - Love-Death from Wagner's "Tristan and Isolde"

Softly and gently
how he smiles,
how his eyes
fondly open
—do you see, friends?
do you not see?
how he shines
ever brighter.
Star-haloed
rising higher
Do you not see?

[...and ends...]

to drown,
to founder –
unconscious –
utmost bliss!

Swallow (1975)

The Swallow's Tail: Series of Catasrophes (1983)

from Wikipedia:
The Swallow's Tail — Series of Catastrophes (French: La queue d'aronde — Série des catastrophes) was Salvador Dalí's last painting. It was completed in May 1983, as the final part of a series based on the mathematical catastrophe theory of René Thom.

Thom suggested that in four-dimensional phenomena, there are seven possible equilibrium surfaces, and therefore seven possible discontinuities, or "elementary catastrophes": fold, cusp, swallowtail, butterfly, hyperbolic umbilic, elliptic umbilic, and parabolic umbilic. "The shape of Dalí's Swallow's Tail is taken directly from Thom's four-dimensional graph of the same title, combined with a second catastrophe graph, the s-curve that Thom dubbed, 'the cusp'. Thom's model is presented alongside the elegant curves of a cello and the instrument's f-holes, which, especially as they lack the small pointed side-cuts of a traditional f-hole, equally connote the mathematical symbol for an integral in calculus: ∫."

In his 1979 speech, Gala, Velázquez and the Golden Fleece, presented upon his 1979 induction into the prestigious Académie des Beaux-Arts of the Institut de France, Dalí described Thom's theory of catastrophes as "the most beautiful aesthetic theory in the world". He also recollected his first and only meeting with René Thom, at which Thom purportedly told Dalí that he was studying tectonic plates; this provoked Dalí to question Thom about the railway station at Perpignan, France (near the Spanish border), which the artist had declared in the 1960s to be the center of the universe.

Thom reportedly replied, "I can assure you that Spain pivoted precisely — not in the area of — but exactly there where the Railway Station in Perpignan stands today". Dalí was immediately enraptured by Thom's statement, influencing his painting Topological Abduction of Europe — Homage to René Thom, the lower left corner of which features an equation closely linked to the "swallow's tail": {\displaystyle V=x^{5}+ax^{3}+bx^{2}+cx,}V=x^{5}+ax^{3}+bx^{2}+cx, an illustration of the graph, and the term queue d'aronde. The seismic fracture that transverses Topological Abduction of Europe reappears in The Swallow's Tail at the precise point where the y-axis of the swallow's tail graph intersects with the S-curve of the cusp.